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He himself rarely fell foul of Sewell, a mathematician, in which subject Britten was a star pupil. he loved cricket, only quite liked football (although he kicked a pretty "corner"); he adored mathematics, got on all right with history, was scared by Latin Unseen; he behaved fairly well, only ragged the recognised amount, so that his contacts with the cane or the slipper were happily rare (although one nocturnal expedition to stalk ghosts left its marks behind); he worked his way up the school slowly and steadily, until at the age of thirteen he reached that pinnacle of importance and grandeur never to be quite equalled in later days: the head of the Sixth, head-prefect, and Victor Ludorum.The school had no musical tradition, and Britten continued to study the piano with Ethel Astle. But – there was one curious thing about this boy: he wrote music.He took a great interest in writing music for children and amateur performers, including the opera Noye's Fludde, a Missa Brevis, and the song collection Friday Afternoons.

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His best-known works include the opera Peter Grimes (1945), the War Requiem (1962) and the orchestral showpiece The Young Person's Guide to the Orchestra (1945).

Born in Suffolk, the son of a dentist, Britten showed talent from an early age.

Bridge was impressed with the boy, and after they had gone through some of Britten's compositions together he invited him to come to London to take lessons from him.

Robert Britten, supported by Thomas Sewell, doubted the wisdom of pursuing a composing career; a compromise was agreed by which Britten would, as planned, go on to his public school the following year but would make regular day-trips to London to study composition with Bridge and piano with his colleague Harold Samuel.

It was the first substantial piece of modern music he had ever encountered, and he was, in his own phrase, "knocked sideways" by it.